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Works | Timeline

Timeline
    
    
  • 2008
  • Dance Without Bodies at HKW, Berlin, Germany Date: August 23rd and 24th
      
      
    • 2007
    • mech[a]OUTPUT Japan Society continues its 2007-08 centennial celebration with the presentation of mech[a]OUTPUT. This contemporary dance piece inspired by the classic noh play Dojoji is created by Bessie Award and Guggenheim Fellowship-winning experimental artist Koosil-Ja. The production marks the fourth installment in the continuing program Noh?Now!, the Spring/Summer Japan Society performing arts series presenting an array of works inspired by the classical art of noh. mech[a]OUTPUT will play at Japan Society (333 East 47th Street) Thursday, May 31 Friday, June 1 Saturday, June 2 @ 7:30 PM. New York-based choreographer and new media artist Koosil-Ja presents a multimedia dance piece with a live 3-D game space, live Neo Punk Rock music, songs and video pendulum that modernizes elements of traditional music and choreography from the classic noh play Dojoji. Legends surrounding Dojo-ji Temple in Wakayama, located southeast of Osaka, have inspired numerous noh and kabuki plays about the vengeful spirit of a spurned woman. Koosil-ja transposes the work into her own aesthetic and political discourse between Original and Simulacrum (a thing itself), and Digital and Flesh.
        
        
      • 2006
      • Dance Without Bodies The Kitchen presents Dance Without Bodies, a new, commissioned, dance and multi-media performance by choreographer Koosil-ja that questions the fundamental role of Presence in performance and forges new relationships among dancers, technologies, and the audience. In this new work, two dancers move between the space of the stage and that of video projections, performing simultaneous yet spatially disconnected solos for an audience seated in two separate areas, situated back-to-back in the theater. Created through her Live Processing performance method, which she developed with dancer Melissa F. Guerrero and Geoff Matters (music, video, and software design), the performance is different each night, as the movement in the work is neither strictly set choreography nor pure improvisation. Rather, the dancers generate their solos nightly, in real-time, in response to the action depicted on three different videos, which are randomly combined each evening on clustered sets of monitors. The piece also includes lighting design by Jane Shaw and video installation engineering by Benton Bainbridge. Dance Without Bodies will be presented at Haus der Kulturen der Welt, Berlin Germany in August 2007.
          
          
        • 2005
        • deadmandancing HOTEL 2005 a new dance and mixed media project by koosil-ja/ dance KUMIKOKIMOTO deadmandancing HOTEL 2005 is a mixture of a performance of deadmandancing EXCESS which has been modified to fit a hotel room at Sheraton New York Hotel and Tower and a discussion of the work to promote it for touring. Date: Saturday, January 8th, and Sunday, January 9th, 2005 Performances: 10am, 1pm, 4 pm, 7pm, and 10pm Location: Sheraton New York Hotel and Tower, 811 Seventh Avenue at 52nd Street (212) 581-1000 Room Number: Please ask at the front desk for Koosil-ja Hwang’s room Reservation: (212) 375-0186 Recommended but NOT MANDATORY More Information: Call (212) 375-0186 or email dancekk@earthlink.net. We have reserved a room to perform this event five times a day from morning to night on January 8th and 9th. In deadmandancing HOTEL 2005, koosil-ja's performance persona as a solo dancer in a full costume and director who describes the work are indistinct. We will set up monitors in the room and Geoff Matters and Tara Webb will perform the video work using the source video sequence as a storyboard. (The source video sequence is created with a series of dying performances collected from various films and sequenced by koosil-ja. She dances while watching the sequence, performing as many details as possible.) Aki Sasamoto will assist koosil-ja with various props. koosil-ja will perform the dance, and will at times also speak about the work during the performance. The performance will last about 50 minutes, and the performers will be available to discuss the work afterwards. koosil-ja received a New York Dance & Performance "BESSIE" Award for her creation of deadmandancing EXCESS, mech[a], and OUTPUT.
        • 2004
        • deadmandancing EXCESS (premiere) a new dance and mixed media project by koosil-ja with Geoff Matters (live video and sound) Tara Webb (live video) Liminal Projects, Omar Khan & Laura Garofalo (architecture) Akiko Sasamoto (performer and assistant to director) A premiere run of deadmandancing EXCESS was presented in association with Danspace Projects' Out Of Space series. Date: October 2004 Location: Performikng Garage, NYC deadmandancing EXCESS (work in progress) Date: May 2004 Location: elan 88 Front Street Dumbo New York mech[a] OUTPUT (premiere) A dance video installation in collaboration with Geoff Matters Benton-C Bainbridge Liminal Projects Date: January 2004 Location: elan 88 Front Street Dumbo New York funded by The Rockefeller Foundation MAP The Japan Foundation Philip Morris National Endowment for the Arts

        • 2003
        • mech[a] OUTPUT (work in progress) A dance video installation in collaboration with Geoff Matters Benton-C Bainbridge Liminal Projects Location: elan 88 Front Street Dumbo New York Date of Performance: 19 Nov - 21 Dec, Wednesday through Sunday funded by The Rockefeller Foundation MAP The Japan Foundation Philip Morris National Endowment for the Arts

        • 2002
        • deadmandancing A video installation in collaboration with Benton Bainbridge funded by Lower Manhattan Cultural Council New Media Commission "Bit Size Room" A dance for cable TV funded by Manhattan Neighborhood Network

        • 2001
        • Thursday May 17 8:30pm Whitney Museum of American Art at Phillip Morris RENDER (a work in progress) 120 Park Ave at 42nd Street New York City

        • 2000
        • March 21-26 92nd Y Harkeness Dance Center "The Anatomy of Happiness" (premiere)

        • 1999
        • March 10-13 The Kitchen New York City memoryscan (premiere) September 17-18 Asian Arts Initiative with Philadelphia Fringe Festival Philadelphia, PA "memoryscan" December 18-19 Miami Light Project Miami, FL memoryscan

        • 1997
        • February 5 Martha at Mother, NYC "a shadow of forgotten ancestors" (work-in-progress) March 17-23 Painted Bride Arts Center and Asian Arts Initiative, Philadelphia, PA MASAO April 28 Movement Research, NYC a shadow of forgotten ancestors (work-in-progress) July 25 Central Park SummerStage, NYC a shadow of forgotten ancestors (work-in-progress) August 24 - September 22 The Yard, Chilmark, MA memory scan (work-in-progress)

        • 1996
        • September 23-29 Danspace Project, NYC MASAO December 21 Context Studios, NYC a shadow of forgotten ancestors (work-in-progress)

        • 1995
        • March 20 Movement Research @ Judson Church, NYC excerpts March 29 - April 2 University of Wisconsin, Madison Incomplete disaster - Solo Evening April 25-30 Walker Arts Center Minneapolis, MN Incomplete disaster - Solo Evening May 22-28 Theater Artaud San Francisco, CA Incomplete disaster June 12 - July 10 American Dance Festival Durham, NC MASAO October 23-29 Washington Performing Arts Society Washington, DC MASAO November 10-12 On the Boards Seattle, WA MASAO
Works

deadmandancing EXCESS


mech[a] and OUTPUT


render


memoryscan


MASAO(1996)

INCOMPLETE DISASTER(1995)

CEASES, STILL I SEE(1992)

ASKEW VETO(1990)


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